Briefing: The Great Old Ones

Introduction

The term Great Old Ones comes from H.P. Lovecraft’s cosmic horror fiction. While framed as “stories,” these entities carry striking parallels to concepts preserved in ancient Gnostic writings, especially the Archons. They are not simply monsters, but vast intelligences operating outside human perception, indifferent — and sometimes hostile — to humanity.

This briefing explores those parallels and poses a hypothesis: what if certain minds — writers, philosophers, even filmmakers — receive “downloads” of imagery from the Beyond?

Azathoth and the Demiurge

In Gnostic tradition, the Demiurge is a blind, arrogant creator, shaping matter and imprisoning souls, yet unaware of the higher realms beyond him. In Lovecraft’s writing, Azathoth — the “blind idiot god” — is a chaotic nuclear force, dreaming all existence while mindlessly consuming. Both describe a cosmos ruled by unconscious, blind power — not by benevolence or design.

Forms and Manifestation

The Great Old Ones often appear in Lovecraft’s work as non-corporeal or parasitic forms: embryonic, half-formed, or only partially visible. They intrude through dreams, visions, or forbidden experiments. This echoes the Archons, described in Gnostic texts as shape-shifting, parasitic rulers who manipulate perception and energy.

The Film Connection: From Beyond

Lovecraft’s short story From Beyond (1920) was adapted into a 1986 film. The movie visualizes entities existing just outside normal perception, revealed only when the “pineal gland” is stimulated.

Parallels to the Archons

Placed side by side:

This repetition across literature, philosophy, and cinema suggests that these images may not be random fiction, but recurring transmissions of a pattern.

The Download Hypothesis

In 1974, Philip K. Dick reported that an intelligence “downloaded” visions into his mind — symbols and knowledge he could not have accessed alone. Could Lovecraft have experienced something similar decades earlier, his “fiction” carrying fragments of such downloads?

The continuation into cinema (From Beyond) raises a further question: are creators across generations receiving input from the same Beyond, whether in dreams, scripts, or visuals?

Implications

If these connections are more than coincidence, they open unsettling possibilities: